| A Case for Live
Concerts, by Kirk Whipple A Few Great
Reasons to Attend Student (and other!) Performances, by Kirk Whipple and Marilyn
Morales
All the World's a Stage, by Steve Bruner
Artist Rant: Music and Soccer, by Kirk Whipple
The Art of Listening, by Ken Blacklock
Confessions of a Flute Player: How I Conquered
Anxiety and Learned to Love Performing, by Patricia A. Onufrak
Dangerous and Beautiful Thoughts, by Kirk
Whipple
Excerpts from Harmonic Experience, by
W.A. Mathieu
Getting Started in Music: Some Tips, by
the Unconservatory
How to Practice, by Ken Blacklock
How to Select a Music Teacher, by Kirk Whipple
and Marilyn Morales
Jazz Music for the Left Hand, by Kirk Whipple
(Additional material by Marilyn Morales)
Letter to a Young Musician: On Artistic Ability,
Entertainment, and the Music Industry, by Ken Blacklock, Kirk Whipple, and Marilyn
Morales
Letter to a Young Musician: On Becoming a Classical
Musician, by Ken Blacklock
Kirk & Marilyn: Costa Rica, December 1996, by
Kirk Whipple and Marilyn Morales
The Myth of "Perfect Pitch"..... and How
to Get "It", by Kirk Whipple
Notes on Three Classics in the
Aesthetic of Music, Review by Ken Blacklock
On Piano Playing, by Mickie Willis
Perfect pitch: Getting a VC's attention (and dollars),
by Steve Bruner
Playing Left Handed Piano Music, by Antonio
Iturrioz
The Real Millennium Bug, by
Kirk Whipple
Scott Joplin, by Ken Blacklock
Tickets or Tylenol: A Parent’s Choice, by
Arin Stevens
Your own private think tank: Part 1, by Steve
Bruner
Valuable and Destructive Listening Experiences,
by Kirk Whipple
What Makes "Good Music" Good?, by
Mickie Willis
Why Do So Many Smart People Listen to Such Terrible
Music?, by Mickie Willis
Disclaimer, Copyright Statement and Editorial Policies Updated: April 10, 2011 (KB)
Copyright 2011, The Unconservatory, All Rights Reserved. |
